Underhill's Swing and Shag Dance Collective is a community service project run by Roger and Denise Underhill, two experienced and passionate swing and Carolina shag dance instructors. We offer a variety of classes for all levels, from beginner to advanced, and we are committed to providing our students a fun and supportive learning environment.
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Friday, February 28, 2025
Saturday, February 22, 2025
"What Kind of Dance Is That?" The Joy of a Style That Defies Categories
My wife and I love to dance. We've developed a style that's a bit of a melting pot, drawing inspiration from Lindy Hop, Balboa, East Coast Swing, Carolina Shag, West Coast Swing, and even a touch of the Bop. We seamlessly blend these styles, transitioning between them fluidly, creating something that feels uniquely ours. But it also creates a fun, and sometimes puzzling, experience when we're out dancing.
Over the past few months, as we've hit different venues, we've been showered with compliments, which is always lovely. But what's even more interesting is how people describe what they're seeing. It's like a dance Rorschach test!
One night, someone will come up and say, "That looks just like Carolina Shag!" The next venue, a couple will exclaim, "We see you doing some great Chicago Steppin'!" Most recently, we even had someone tell us, "You guys are doing some fantastic DC Hand Dancing!"
It's fascinating, and it got me thinking. Why do people see such different things?
It boils down to a few key factors:
1. The Shared Language of Swing: Many swing dances share a common ancestor, a core vocabulary of movements. The rock step, basic turns, partner connection – these are building blocks across styles. Our dance, as a fusion, naturally incorporates these shared elements. So, if you're familiar with one of these "dialects," you're likely to see something recognizable.
2. Regional Dialects: Just like spoken language, dance styles often have strong regional associations. Carolina Shag hails from the Carolinas, Chicago Steppin' from Chicago, and DC Hand Dancing from, you guessed it, Washington D.C. If you've primarily danced in one of these regions, that's your frame of reference. You're seeing our dance through that lens.
3. Emphasis and Interpretation: Our blended style shifts and changes. One moment, we might be doing something with a strong, grounded pulse and intricate footwork, reminiscent of Carolina Shag. The next, we're flowing smoothly with a close connection, perhaps evoking Chicago Steppin'. People latch onto the elements that resonate most with their own dance experience.
4. The Power of Suggestion: Sometimes, it's a matter of suggestion. Once someone mentions a particular style, others start to see it too, even if it wasn't their initial thought. Human perception is fascinating!
5. The Beauty of Fusion: Ultimately, the most important thing is that our dance is our dance. It's a unique blend, a conversation between different styles. It defies easy categorization, and that's precisely what we love about it.
So, the next time someone asks, "What kind of dance is that?" we can smile and say, "It's a little bit of everything!" It's a chance to share our passion for blending styles and perhaps even introduce them to the joy of "Combo Swing." It's a reminder that dance, like language, is constantly evolving, borrowing, and creating something new and beautiful.
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